Attendance with lots of experience

Literature has always been one of the most important Iranian cultural stuff whole over the word. The creative Iranian mind has been always been successful in attracting International attention. Talking about if Iran Theater has been able in attracting International attention is something different and has to be studied more. 
Progress in equipments and powers
Mohammad Reza Alvand (play writer and Theater trainer) says: Iran Theater has been seen more seriously in International fields recent years. Many festival managers request to come to our country themselves and that is because they see International potentiality in Iran Theater. 
He adds: for having an International voice, plus to having creativity and talent, we have to improve our equipments and powers. We have to attend International Festivals with plays which have more Iranian mood. 
We are familiar with “Tazieh”
Nell Vander Linden is the Member of a theater group from Netherlands. He is familiar with Iranian Modern Drama and he knows some Iranian directors like; Atila pesiani, Mehrdad Raianimakhsos and Amir Reza Kohestani. 
Nell says: most of the plays that I saw in Fadjre Festival were successful ones. He also pointed to Tazieh and said it is a known kind of Iranian play.
I think they know
Lady Ania Gronau, German director said: I think I theater is known outside your country. We have some Theater centers in Germany that invite different Theater groups from different countries as well as you invited us. 
She added: there are some Iranian plays that have been invited to these centers. There are many people who go and watch these plays in Germany too, so it is known outside the country. 
She appreciated holding Iranian Theater Market and said it prepare a proper and organized chance for both Iranian and foreign Theater groups to connect to each other. 
Effective plans and politics 
Mehrdad Abrovan (member of national club of critics and theater trainer) says: two kind of Iranian Theater is known in the word; first that kind of abstract works which contains plays directed by Atila Pesiani and Amir Reza Kohestani and the other kind is the traditional plays which contains plays like Tazieh, Takht-E-Hozi, puppet plays. 
He adds: these two main kinds of our theatre are known in the word perfectly, but the other kinds are not known in the word. I think we have to have a correct planning. We have to present those kinds of Iranian plays in the word that have some National signs. 
Iranian Artists untold words
Azita Hajian (theater, Television and Cinema director and actress) says: as our theater is not valued properly, it is natural that it doesn’t have any thing to say out side the country. 
She adds: Artist has to be provided. I think if our theater gets more aid, it has lots to say in the word. 
The importance of connection ways 
Azam Borojerdi (Theater director, writer and trainer) says: we don’t have that specific kind of theater yet and we haven’t been able to connect word Theater. We have to present some thing to word that they don’t have. Our mistake is that we want to show them what they have created and are expert in it. 
Evaluating Theatre plays
Aiob Aghakhani (Radio and Television writer, director and trainer) says: Iranian plays don’t have a specific universal place yet. I believe there were some efforts to get to that place in recent years but it is now stopped unfortunately. 
He adds: detecting valuable works to be presented out side the country is very important and some times it happen that some wrong plays are selected to be performed out side that is very bad. 
Iranian Theatre and Universal Culture
Holding Iranian Theater Market has given a good shape to Iranian Theater marketing during Fadjre Festival. One of the most important things is how to select plays for abroad performances. It has to be a correct and exact selection. We have to select trusted plays which can be successful in other countries too. Actually it is important to improve our national theater in case to get a proper presentation out side.